Dileesh Pothan hits the jackpot with debut film Maheshinte Prathikaram

The joke that goes around in film industry circles today is about how director Dileesh Pothan had to be carried on the film crew's shoulders to shoot the climax of his debut film Maheshinte Prathikaram. Dileesh laughs at it. "Fahadh (Faasil) and Soubin (Shahir) have been making it a point to repeat it at every venue," he smiles. "Fahadh had met with slight injuries during the shoot himself."

The said climax involves a physical tussle between the hero Mahesh (Fahadh) and Jimson (the talented Sujith Shankar, a National School of Drama alumnus), shot over four days in a muddy puddle. The challenge was to get the right physical contact, and the stunt scene is arguably the defining moment of the film.

As for Dileesh, he had his leg all plastered after he ventured out to play a game of cricket with some boys in the field. "It was funny in a way; the trouble that the crew put up to take me to the location," says Dileesh. Shot in picturesque Idukki, Maheshinte Prathikaram's fantastic success at the box-office nullifies all the troubles, and has elevated Dileesh to the limelight, clocking the start of another chapter in his film career. Dileesh, to start with, is no stranger to movies. Viewers of Salt N' Pepper would recall him as the rather slimy colleague of Shweta Menon, who urges her to go on a pleasure trip. But his 'film story' begins even further back. Smitten by cinema, the young man from Kuruppunthara completed his computer studies, and headed straight to assist on movies. He worked on a dozen or so, mostly commercial, and not all of them runaway successes. "Shyam Pushkaran (the writer of Maheshinte Prathikaram) and I used to share a room then; he was also assisting in movies," says Dileesh.

But in an atypical fashion, Dileesh decided to leave the industry to build his skills. He wanted to learn more the intricacies of the medium - especially acting - and he enrolled for his Masters in Theatre studies. Also securing a Masters of Philosophy degree in the same field, he returned to movies.

By then, Malayalam cinema was changing too. Dileesh became part of what is called the 'new generation,' assisting Aashiq Abu, and working with the new line-up of promising youngsters who were creating a new idiom of expression for Malayalam cinema.

Dileesh says that such constant rejuvenation is healthy for cinema. "Everything is changing around us, and it is only natural that films represent the changes in society. And alongside, we also evolve - maybe for better or worse."

His own change, no doubt, has been for the better. That is how from being actor and associate director with Aashiq Abu and Amal Neerad, among others, he has evolved as an independent director. "There have been many opportunities to direct films but I wanted the right project, a concept that I truly believed in."

Spontaneity is exactly what shines through in Maheshinte Prathikaram, a film that you will love for its earthiness and simplicity. It is now playing at theatres in the UAE.