Neeraj Pandey, Prithviraj, Taapsee Pannu and Manoj Bajpayee at Khaleej Times office.
Taapsee Pannu considers herself lucky to have bagged Naam Shabana which is the back story of her character in the film Baby. "Firstly, I did not choose Naam Shabana. Beggars can't be choosers! I have been lucky. I would have done anything possible to bag this role," said the actor whose work in Pink won her much acclaim.
She feels the time is right for Indian cinema to delve into more women-centric films. "Earlier, we used to probably have one or two women-centric movies (in a year), but now we have at least one film a month."
Manoj has always kept himself away from Bollywood circles. So was it his friendship with Neeraj Pandey that got him Naam Shabana? "Neeraj has come up with a unique genre that never existed before. Content is king for him. He puts it together in such a way that it reaches out to everybody. That's what attracted me to the movie. The way he writes his scripts and the way he does his movies is a rarity in the industry. If you remember A Wednesday, there wasn't a single song in the movie, but he did not compromise on the storytelling or the characters, and the movie managed to touch every segment of our society. I can go on and on about him!" Both Bajpayee and Pandey seemed to be in awe of each other's talents as they repeatedly lauded each other's work throughout the session.
Naam Shabana is being touted as one of the first female-centric spy films to come out of Bollywood. Is that true?
"Not really. We are basically talking about Naam Shabana as a spin-off to the Baby franchise. It's basically Taapsee's character from Baby and her journey towards becoming a spy. The story is loosely inspired from several stories. It's actually based on research."
Taapsee: "What can I say about Akshay. I can say I've been trained by the best. He used to monitor my progress closely during my training period, every single day."
Prithviraj: "The first time you meet him and stretch out your hand for a shake, he just grabs you and gives you a tight hug. That's Akshay for you."
Manoj: "He has had very humble beginnings - somebody who has risen from scratch. He respects everyone on the sets, be it a spot boy, a co-star or the director. I have yet to see him talk harshly with anybody on the sets. It is the mark of a true gentleman and a successful person."
Bajpayee is among a clutch of actors who straddle mainstream Bollywood and parallel cinema, so which one does he find more appealing? "Actors cannot afford to have their favourite genres if they want to be called actors. Our decisions should not be based on our whims and fancy.
"Our job is to fit into a role as per the vision of the director and the requirement of the story. My endeavour is to work and do justice to any film. It would be wrong to say that only parallel cinema gives me chance to explore my talents. I get satisfaction from working on any movie. It's all about how well I do my job and how well the movie is received. That's all that matters for me," the actor said.
Manoj: "Physical struggle is far more easier to handle than emotional struggle. It's easy to feel down when you suffer rejection. But the idea is to rise above it. Over the years, I have learnt to take rejection in my stride. Now, it's the other way; I take it as a challenge. If you want me to rise, reject me! Whether it's success or failure of a film, moving on is the key."
Prithviraj: "The idea is to stay disconnected with your successes and failures. It's very tempting to get goaded by your successes and events that follow that. You can drown in it, that's when you need to stay put. At the same time, if your movie flops, it's easy to get depressed. But the idea is to analyse your mistakes and move on."
Neeraj: "I have learnt much more from my failures than my successes. Once I've finished a film, I get completely detached from it. I don't even see it, unless my family is watching it on TV. For me, doing a movie is like doing a 9-5 job. Once the movie is done, we should move on."
Taapsee: I feed off the energy of my co-stars. I don't think I can ever do an audition on my own, without a director or a co-star. Having said that, it is however intimidating to work with actors who are at a higher level. I used to get intimidated on the sets both by Manoj and Prithviraj. It's quite stressful. But what I have taken back from them is; actors who are at the top of their game are good at playing the 'humble game'. It's always good to know where you started from. That's what I learnt from them.
Manoj: You feed off each other on the sets. If I am doing a scene with an actor who's not getting things right, then I have to take a step back and work with him to get the scene right. It's very important to have a capable co-actor then only does the scene get elevated. It's not about one actor in scene; It's about every character working together towards a goal. Each an every actor has their own unique talent. With so much of theater and films behind me some of the magical performances these young newcomers bring to the screen takes me by surprise. So each actor has his own strong point and we can learn from them. Every bit helps in improving my own performance.
Prithviraj: For a film to be great, you have to be working in a movie that has actors who are good or better than you. Having said that, though I have worked in countless action movies, working with a female action protagonist was something new to me. Hats off to Taapsee and the hard work she put in her role in Naam Shabana.
Taapsee: Manoj is the exact opposite of his scarry, fierce onscreen character. He's fun on the sets. Prithvi speaks Hindi quite well. His Hindi is not as bad a you would imagine.
Neeraj: Prithvi's Hindi took me by surprise. He quite good and he's dubbed for the film himself.
Prithiviraj: I must admit I do not like rehearsals. So whenever I was called for rehearsals for Naam Shabana, I used to cook up some sort of excuse.
Manoj: I would love to work in a Malayalam or Marathi film. The are making some of the best movies. I know a smattering of Marathi but no Malayalam at all.