Movie review 'Roy': Tiring self-indulgence Roy has a great premise and novelty value, a rarity in Bollywood, but gets bogged down in self-indulgent writing says Deepa Gauri
Jupiter Ascending, a soupy cosmic fairy tale A movie that rides the campy line of simultaneously great and terrible with intermittent success.
Movie Review: Shamitabh Shamitabh is an intelligently written film that celebrates India’s talent and passion for cinema, Deepa Gauri writes
The world and I Director Shankar falls short of taking his magnum opus to the next level, Deepa Gauri writes
American Sniper is quintessential Eastwood The film starts with a remarkable scene of Kyle poised on an Iraq rooftop with a young boy holding a grenade in his scope.
Film review: 'Alone', frightfully funny Can the horror genre possibly sink any further in Bollywood, Enid Parker asks
Reel magic: The UAE’s latest cinema releases Adam Zacharias delves through the UAE’s latest cinema releases
Film review: The Theory of Everything Jocelyn Noveck finds its ‘humanity’ the most appealing part of The Theory of Everything
City Review: Unpretentious thriller For those who are looking for novelty and contemporary relevance, therefore, the fourth Indian language remake of the film, called Tevar in its Bollywood version, will offer nothing new.
Into the Woods: not quite one thing nor the other Disney has chosen to take the middle ground here, cutting, smoothing and refining to create something more palatable to the masses.
