'Yellowstone' is a hit on Kevin Costner's own terms

While a healthy slice of America awaited the return of the hit series Yellowstone, star Kevin Costner was in Moab, Utah, scouting locations for yet another Western epic, Horizon.

Costner’s 60-some film credits, among them Field of Dreams, The Bodyguard, JFK and Bull Durham, are an eclectic mix of dramas, baseball-centric tales and the occasional comedy. But the West's history and land have proven his creative bedrock.

His breakout role came in 1985’s Silverado, followed by starring roles in Dances with Wolves, his Oscar-winning directorial debut; Wyatt Earp, and Open Range, which he also directed. He's donning the actor-director Stetson again for Horizon, planned as a four-film saga about pre- and post-Civil War western migration.

The Paramount Network's contemporary Yellowstone, created by Taylor Sheridan (Hell or High Water), already has generated a successful prequel, 1883. A second, 1923, with Harrison Ford and Helen Mirren as its headliners, is set for a December 18 release.

In its fifth season, Yellowstone opens with Costner’s Montana rancher John Dutton awaiting the outcome of his reluctant run for governor - a big-swing effort to shield his family’s vast land and business against challenges from developers and empowered Native Americans.

Dutton's populist-style campaign promised to safeguard Montana values, or likely those that dovetail with the interests he's gone to extremes to protect. Would Costner himself consider seeking office? “No, I don’t think so,” he said.

In an interview, he discussed why Yellowstone has gained a following, the series' portrayal of Native Americans, and his long-held regard for the Western genre done right. Remarks have been edited for brevity and clarity.

When you joined Taylor Sheridan on the drama series, what made you think it could work?

I thought it had a chance to be relevant, in that this work is still going on in America and most people kind of take it for granted how stuff ends up at their dinner table. We intuitively know, and we don’t really know. The show is able to highlight at times the beauty of ranching, and it certainly talks about how difficult it is.

We're set in one of the most beautiful places in the world, and I think the idea of mountains and rivers captured people’s imagination. But it's a working ranch. It's how it's still done. I think it spoke well of that, with its kind of heightened sense of drama.

While John Dutton says he's no politician, he's seeking power and there's more than a suggestion he intends to use it for his own ends. How do you see the character?

He's not naive. He’s no politician in the sense that he wants to collaborate. I think he’s capable of hearing the best idea, but he's not looking for middle ground. It’s not how he’s conducted his life. What's maybe good for his ranch might be good for all the rest of the ranches in Montana as well — the preservation of a way of life, less expansion. His ranch is highlighted, he says it out loud. But I think he sees this working for other ranchers.

I think to myself, ‘My God, what made people keep coming West?' They sometimes didn't share the same language, they were from different countries in Europe. When I see it in its rawest form, I'm inspired by it, I'm in awe of it. I realize that what made people cross the country was nothing but hope of something better than where they came from.