Expo 2020 Dubai: World’s best architects turn pavilions into stunning marvels

Jose Paulo Gouvêa, an award-winning architect from Brazil, drew inspiration from the Brazilian forests and water to design a pavilion that will showcase the stunning biodiversity of his country.

“Brazilian rivers are one of the most important water resources of the world. Our main challenge was how to build a pavilion using natural elements… How to transform steel, glass, concrete, fibre, tensile into something natural was the most difficult part,” Gouvêa told Khaleej Times.

Located at the Sustainability district, the 4000 sqm Brazilian pavilion will have water as the main element. A thin water blade, representing the Brazilian rivers and where visitors can walk, will occupy most of the space, providing an experience that will be complemented by projections, sounds and aromas.

Gouvêa said he understands building an Expo pavilion is ‘special.’

“I know the importance of it. In fact, I have done my PhD research on Brazil’s 1970 Osaka Expo pavilion built by my master, Paulo Mendes da Rocha, who passed away a few weeks ago.” The pavilion, regarded as a masterpiece by Rocha explores the relationship between nature and architecture.

He said it was decided from the beginning that they will bring ‘even a screw’ from Brazil to build the pavilion.

“The idea is that we are not just creating a structure using materials. We are using ideas to bring the Brazilian nature to Dubai.”

To give visitors an immersive experience and give them a true Brazilian experience, he decided to fill the pavilion with a shallow water blade, where people can wet their feet and relax.

Using 140 giant projectors, images from Brazil will be projected on the translucent membranes that makes the interior of the pavilion.

He said photographers were hired to take scores of pictures of Brazilian forests, rivers, cities, food and cultural aspects which have been put together by a producer and art director using a technology called video imaging to create stunning stories.

“It was not easy especially considering the constant travel and online interactions with engineers and other members of the team. But finally, we did it. The pavilion is nearing completion,” said Gouvêa.

South Korea

Korean architect Moon Hoon was given a brief to come up with a design that represents mobility and the technological advancement of Korea when he entered the competition in 2018 for Korea’s Expo pavilion.

“As an architect I had a vision when I thought about the theme mobility and ‘Smart Korea; Moving the world to you.’

I was imagining a flower in the desert. I could see dry and arid land… There was sun rise and dews on the flowers and light was shining on the petals. That vision transported me to a stadium in South Korea where people are dancing and singing. That was it! I knew I am going to represent this spontaneous, energy and harmony of the people in a stadium,” Hoon told Khaleej Times.

That is how Hoon designed a dynamic façade for the pavilion that constantly moves and interlaces real and virtual environments.

Hoon said he used 1,590 rotating cubes that are digital and analogue, to create continuously moving images on the exterior of the pavilion.

“The cubes react and move according to a software programme. So, it can be a face, an image a text. Visitors do not need to enter the pavilion to experience it. The exterior is like an art installation itself.”

He used a technology called Digilogue – a synthesis between digital and analogue to create immersive experiences for visitors.

“The five storey-pavilion also has four ramps that weave in and out of the building. That lets visitors float through the pavilion,” said Hoon.

Visitors are provided with a mobile phone when they enter the pavilion, and they can tap on any particular feature and it will pop up like augmented reality.

Another peculiar feature of the pavilion located at the Mobility district is a tilted moving screen called ‘Cityscope’ located in the building’s atrium that will transport visitors to a virtual world showcasing Korea’s technologically advanced cities.

The Expo pavilion, Hoon said, is typical of his architectural style that is playful and distinct.

Some of his popular works include ‘Rockit Suda’ resort that has structures with tails and horns. Another distinctive project of Hoon is ‘Two Moon,’ a cultural building in Seoul that looks like two moons.

“I am an action architect. I do not like my designs to be steady, stable. They are colourful and moving. They talk and interact. The Korean pavilion will not give you a dull moment. There is lot of action awaiting you.”

The Czech Republic

anjana@khaleejtimes.com