Paul Salopek
Four years ago, Pulitzer-winning journalist Paul Salopek began a trek, on foot, from the oldest inhabited region known to mankind to our most recent conquest. As he sought to trace the likely path of human migration, he's learnt a lot about himself along the way, and about the rest of us as well
The challenges our ancestors faced moving across landscapes are very different from the ones that I face. I am not rubbing sticks together or trying to hunt birds with a bow and arrow; I am stopping at the local teahouse and having some biscuits. It's a golden era of movement; it has never been easier to get from point A to point B. And the obstacles are largely imaginary things like politics, borders and ideologies, but those have actually blown me sideways.
I was supposed to walk through Iran, but after eight months of waiting for a visa, I had to give up and pivot north through much colder climates. I do my homework, interview people and study the landscapes and the political environments ahead, but even that doesn't hold up. This journey requires being comfortable with uncertainty, something that we've come to forget after 10,000 years of sedentism. Uncertainty, in fact, has become our enemy, not our friend.
About a year and a half ago, I was trying to make my way across a swampy environment in Anatolia. I wasn't equipped: I was wearing sneakers, my feet were wet, it was muddy and I was picking my way, literally step by step, across this bog to get to an inhabited area. And it occurred to me as I hopscotched across these rivulets of tea-coloured water: why is this so pleasurable? It was because every foot represented an advance in my life achieved not with my body but with my mind, by solving one small problem at a time. When you do that, it's impossible to get bored, because you're mentally engaged and it becomes fun.
The irony is that I end up training many of my guides in the technology of their grandparents. I had to teach my Saudi walking partner how to ride a camel: he drives a late-model SUV. I'm walking the fabled Silk Roads right now, but over the horizon are modern gas-compression stations, concrete highways, and casinos. I stay away from highways because they are unpleasant: they're not made for walking, they're made for machines. And so it's a strange out-of-body experience when I walk into a gas station to get water and the people almost drop what they have in their hands because here is this guy, covered in dust, coming out of the desert with some donkey, while they are modern global citizens.
The landscape of time has its own human topography. Where the world is most globalised, where ideas flow at high speed, I think the past recedes into almost a folkloric element in people's lives. But if you're on the front lines of a conflict, the precariousness of life amplifies the importance of the past. Not to do a cheap psychoanalysis of society, but when the present sucks, you hang on to what has been, either to stoke your anger or to give you heart. The Caucasus, for example, has been the stomping ground of invaders for centuries. So if you're Georgian, your perception of the past is much more tangible than if you're somebody in Arizona whose genetic memory there is three generations.
It wasn't like I was working in a small town in the same office for 20 years, and decided one day to get up and walk away. This is a continuation of my life. The people I choose to get involved with, the people I love, are self-selecting up to a point, as much as love is. Anyone who's gotten involved with me, from when I was a teenager, knows that I am a rambler. They put up with it, or tolerate it, or enjoy it. My family is also very peripatetic: I've got four brothers and sisters, and they've lived all over the world. We stay in touch and get together as often as we can.
Foreign correspondents can make friends quickly - and leave them behind as quickly. You haul into a port, you drop anchor, and then you're in the bars, you're in people's homes, and you're having almost familial conversations in a day or two. It's an emotional survival muscle that you develop, because we all need it.
My two poor feet are being held up by tonnes of people. I'm completely dependent on my local translators and guides, and that's okay; it's better than okay, because it forces me to see what I'm seeing through their eyes. And the vast majority of them don't want to stop when we reach the borders of their country, because they have taken this experience and made it theirs. My pipe dream is to gather all 300 or 400 of these amazing storytellers at the finish line in Chile.
(Follow National Geographic Fellow Paul Salopek's Out of Eden Walk in real time at outofedenwalk.org.)