UAE’s leading singer, musician and oud player talks about his love for the enchanted strings of the classic instrument and the test of time it has stood
At the age of 14, Saeed Al Salem fell deeply in love and ever since he and his beloved hardly spend a day apart. Sometimes happy, sometimes sad, at times traditional, at times fashionable, Saeed and his beautiful oud complement each other so harmoniously that those who are in their company never fail to admire them.
Indeed, Saeed Al Salem is not only Abu Dhabi’s, but UAE’s great singer, musician and oud player. When he is not performing or meeting his fans in one of the concert halls in or out of the Emirates, he is usually catching up with his friends, after the Maghreb prayer, in one of his favourite coffee shops on Mouroor Road. The chatter quickly moves from cars to football and the day’s news, to finally set on an old time favourite topic — music.
“For the people of the Gulf, oud is the guitar of the West,” he said. So, since childhood, Saeed loved listening to the oud and Arabic songs, which he ended up learning and then sang them out aloud. Among his favourites were Abu Baker Salem, Mohammed Abdou, Talal Meddah, Mihad Hamed and Abdou Halim.
“My family and friends used to tell me that I have a very nice voice and style of interpretation. They were nice compliments, but I didn’t think back then that one day I will become a singer.”
But that is what he did, and not only a singer, but an oud player too. “I began learning the oud, by myself, when I was 14 years old, and I can say that in five years’ time I became a professional player.” In 1998, Saeed released his first album, followed by two more, which may be found in music stores all the way from Abu Dhabi to London.
The lyrics of his songs are usually verses by famous poets and shaikhs, such as Shaikh Zayed bin Sultan Al Nahyan, Sultan Mujali or Ali Al Khawah. “I once performed in front of Shaikh Zayed, singing one of his poems, during the National Day. He really seemed very happy with the music and interpretation,” remembered Saeed.
As for the music, he either writes it himself or collaborates with other composers, the likes of Tareq Al Mughel, Musa Mohammed or Fayez Al Saeed. “I didn’t announce it in public yet, but now I’m working on my fourth album, which will come out after Ramadan. It is going to be a mix of various styles,” revealed Saeed.
He usually prefers singing classical Arabic tunes, but with his own modern interpretation. “There is a very famous song, ‘Habib Al Qalb’, written by Haarb Hassan about 40 years ago. In 2002-2003, I used to sit with him and talk about this song, then I made a new modern version of his song, which I sang it to him. He liked it and I started to sing it in concerts.”
Long ago, the music of Arabia could only be told apart from North to South and from coast to the desert. Nowadays, influences in both music and poetry have diversified the styles. “Especially in the past 10 years, the language, or rather the dialect, the lyrics, the rhythm of music and even the soul of the song have changed,” explained Saeed.
“When you listen to a Gulf song now, you will know if it is from the Emirates, Saudi Arabia or Kuwait.” Recording of the music has also changed. First the orchestra, then the solo instruments, followed by the choir and finally the singer’s voice are all recorded separately. “I may take one or even two months to complete one recording, but the quality is much better in this way,” claimed Saeed.
“Of course, when I record a song, I have to be in the right mood, to render the feelings in the song correctly.” That is why Saeed spends long sessions with the orchestra’s maestros, discussing the music, then goes over the recordings, changing bits and pieces when necessary.
“The quality of the music is above everything else, so I’m never in a hurry. If the musicians tell me they need two days to record, I tell them to take two weeks, to have time to understand and feel the music.”
When not in a studio, Saeed loves to spend time pretty much like any other young Arab man — looking after his family, going to coffee shops or the cinema and, weather permitting, camping in the desert. “Sure, when I’m at home or in the desert, I sing and play the oud for them,” he laughed, looking at his friends. Now, though, it is too hot for desert outings, so Saeed is taking his beloved oud to his summer retreat, in the “eighth emirate”, London. While there, he may even take some piano lessons, as he decided this would be his next big project - learning to play the piano.
silvia@khaleejtimes.com